{"id":15260,"date":"2022-02-14T10:56:26","date_gmt":"2022-02-14T10:56:26","guid":{"rendered":"https:\/\/religiousroutes.eu\/?post_type=route&#038;p=15260"},"modified":"2022-02-14T11:00:01","modified_gmt":"2022-02-14T11:00:01","slug":"shkolla-e-greqise-veriperendimore","status":"publish","type":"route","link":"https:\/\/religiousroutes.eu\/sq\/route\/shkolla-e-greqise-veriperendimore\/","title":{"rendered":"Shkolla e Greqis\u00eb Veriper\u00ebndimore"},"content":{"rendered":"<p>Shkolla e Greqis\u00eb Veriper\u00ebndimore ose Shkolla Kontinentale Lokale ose Shkolla e Teb\u00ebs, nga vendlindja e tre piktor\u00ebve t\u00eb saj t\u00eb famsh\u00ebm, Frangos Katelanos dhe v\u00ebllez\u00ebrve Frangos dhe Georgios Kontaris, jan\u00eb s\u00eb bashku me Shkoll\u00ebn Kretane dy shkollat \u200b\u200be m\u00ebdha t\u00eb piktur\u00ebs s\u00eb XVI. shekulli.<br \/>\nShkolla krijon kryevepr\u00ebn e saj t\u00eb par\u00eb n\u00eb Manastirin e Filantrop\u00ebve. Q\u00eb kjo ndodh n\u00eb Janin\u00eb nuk \u00ebsht\u00eb e rast\u00ebsishme, pasi ish-kryeqyteti i Despotatit t\u00eb Epirit kishte nj\u00eb tradit\u00eb arti, status social dhe ekonomik, trajtim favorizues nga pushtuesi, nd\u00ebrsa an\u00ebtar\u00ebt e familjeve t\u00eb shquara Giannioti, gjat\u00eb shekullit t\u00eb 16-t\u00eb, themeluan ose rinovuan. manastiret n\u00eb ishull dhe n\u00eb Meteora, duke ia besuar dekorimin e tyre piktor\u00ebve t\u00eb Shkoll\u00ebs Lokale Kontinentale.<br \/>\nManastiri i Filantropist\u00ebve pasohet nga nj\u00eb seri prej shtat\u00ebmb\u00ebdhjet\u00eb grupesh afreskesh m\u00eb t\u00eb njohura n\u00eb kat\u00ebrmb\u00ebdhjet\u00eb manastire dhe tempuj deri n\u00eb fund t\u00eb shekullit t\u00eb 16-t\u00eb. N\u00eb Epir ka tet\u00eb (manastiret e filantrop\u00ebve, Dilios dhe Eleousa n\u00eb ishull, tempujt e Agios Nikolaos n\u00eb Krapsi, Agios Dimitrios dhe Metamorphosis n\u00eb Klimatia), dhjet\u00eb n\u00eb Aetoli (Manastiri i Myrtia), n\u00eb Thesali (Manastiri i Varlaamit n\u00eb Meta ) kisha e Rasiotissa n\u00eb Kastoria, Manastiret e Megisti Lavra n\u00eb malin Athos dhe Zavordas n\u00eb Grevena), Evia (kisha e Paleopanagia n\u00eb Steni, Manastiri i Galatakiut n\u00eb Limni) dhe Boeotia (Manastiri i Sh\u00ebn Meletit). \u00cbsht\u00eb shquar shp\u00ebrndarja e dekoratave, p\u00ebrve\u00e7 Epirit, n\u00eb nj\u00eb zon\u00eb t\u00eb gjer\u00eb t\u00eb Greqis\u00eb qendrore dhe veriore, nd\u00ebrsa shtrirja gjeografike e punimeve d\u00ebshmon nga nj\u00ebra an\u00eb prestigjin e Shkoll\u00ebs dhe p\u00ebrfaq\u00ebsuesve t\u00eb saj dhe nga ana tjet\u00ebr interpreton p\u00ebrhapjen e gjer\u00eb t\u00eb ideve t\u00eb saj n\u00eb Peloponez dhe n\u00eb Ballkan dhe n\u00eb fakt n\u00eb vijim, t\u00eb formuara tashm\u00eb n\u00eb fund t\u00eb shek. breza piktor\u00ebsh.<br \/>\nNga tet\u00ebmb\u00ebdhjet\u00eb dekorimet gjithsej, t\u00eb dymb\u00ebdhjet\u00ebt datohen sakt\u00ebsisht me mbishkrime nga viti 1539, n\u00eb Manastirin e Myrtis\u00eb, deri n\u00eb 1592\/93 ose 1595\/96, afreske t\u00eb kupol\u00ebs n\u00eb Manastirin e Zavord\u00ebs dhe japin informacion t\u00eb vlefsh\u00ebm p\u00ebr patron\u00ebt dhe bashk\u00ebpun\u00ebtor\u00ebt. dhe disa p\u00ebr koh\u00ebzgjatjen e pun\u00ebs. Megjithat\u00eb, vet\u00ebm kat\u00ebr, gjithashtu n\u00eb gjysm\u00ebn e dyt\u00eb t\u00eb shekullit t\u00eb 16-t\u00eb, citojn\u00eb emrin e piktorit: i tebanit Frangos Katellanos n\u00eb kapel\u00ebn e Agios Nikolaos n\u00eb katolikonin e Manastirit t\u00eb Lavr\u00ebs n\u00eb vitin 1560, t\u00eb Teban\u00ebve, gjithashtu v\u00ebllez\u00ebrit Georgios. dhe Frangos Kontaris Agios Nikolaos Krapsis n\u00eb vitin 1563 dhe n\u00eb t\u00eb thjesht\u00eb n\u00eb katolik\u00ebn e Manastirit t\u00eb Barlaamit n\u00eb 1566 dhe vet\u00ebm t\u00eb Frangos n\u00eb Shp\u00ebrfytyrimin e Klimatis\u00eb n\u00eb 1568, nd\u00ebrsa artist\u00ebt e tjer\u00eb mbeten anonim\u00eb.<br \/>\nTre piktor\u00ebt e njohur teban\u00eb, dhe ve\u00e7an\u00ebrisht Frangos Katelanos, i dhan\u00eb Shkoll\u00ebs nj\u00eb prani dhe shtrirje t\u00eb jasht\u00ebzakonshme, deri n\u00eb at\u00eb pik\u00eb sa ishte, n\u00eb shekullin e 16-t\u00eb, l\u00ebvizja m\u00eb e r\u00ebnd\u00ebsishme e piktur\u00ebs n\u00eb Greqin\u00eb kontinentale kund\u00ebr Shkoll\u00ebs Kretane. Ata erdh\u00ebn n\u00eb Epir ndoshta si piktor\u00eb t\u00eb afirmuar, t\u00eb cil\u00ebve iu ngarkua nj\u00eb detyr\u00eb e caktuar dhe u ambientuan, duke e p\u00ebrshtatur artin e tyre me t\u00eb dh\u00ebnat vendase dhe duke ofruar element\u00eb t\u00eb rinj, t\u00eb cil\u00ebt forcuan dhe zgjeruan piktur\u00ebn vendase.<\/p>\n<p><iframe width=\"100%\" height=\"550\" src=\"https:\/\/www.youtube.com\/embed\/hCb90OQFTqQ\" title=\"YouTube video player\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture\" allowfullscreen><\/iframe><\/p>\n<p>Frangos Katelanos sigurisht q\u00eb ka dekoruar katolikonin e Manastirit t\u00eb Lavr\u00ebs n\u00eb vitin 1560 n\u00eb malin Athos, por tashm\u00eb n\u00eb vitin 1542, n\u00eb faz\u00ebn e dyt\u00eb t\u00eb piktur\u00ebs s\u00eb Manastirit t\u00eb Filantropist\u00ebve, shfaqen elementet karakteristike t\u00eb artit t\u00eb tij. Ai \u00ebsht\u00eb sigurisht personaliteti m\u00eb i r\u00ebnd\u00ebsish\u00ebm dhe mban postin e Drejtorit t\u00eb Shkoll\u00ebs. Ai p\u00ebrzgjidhet n\u00eb baz\u00eb t\u00eb aft\u00ebsive dhe fam\u00ebs q\u00eb i dha hyrja n\u00eb Malin Athos dhe njohja e pun\u00ebs s\u00eb tij, pran\u00eb Teofanit n\u00eb katolikonin e Manastirit t\u00eb Lavr\u00ebs. Ai ishte nj\u00eb hagiograf i njohur dhe gjer\u00ebsisht i njohur n\u00eb koh\u00ebn e tij dhe arti q\u00eb p\u00ebrfaq\u00ebsonte pati pranimin dhe vler\u00ebsimin e qarqeve kishtare, nj\u00eb art tashm\u00eb solid dhe i kristalizuar, q\u00eb jo vet\u00ebm nuk merr ndikime thelb\u00ebsore nga kretaja moderne, por edhe p\u00ebr t&#8217;i b\u00ebr\u00eb ball\u00eb n\u00eb krahasim me t\u00eb.<br \/>\nV\u00ebllez\u00ebrit shum\u00eb t\u00eb aft\u00eb Frangos dhe Georgios Kontari, krahas veprave t\u00eb tyre t\u00eb firmosura, pothuajse me siguri i kan\u00eb atribuar historin\u00eb e nj\u00eb pjese t\u00eb rrept\u00eb dhe paranartikeve t\u00eb Manastirit t\u00eb Filantrop\u00ebve, ndoshta n\u00eb vitin 1560, si dhe dekorimin me afreske t\u00eb kish\u00ebs. i Agios Dimis (15 -1560), i rrept\u00eb i Sh\u00ebn Meletios n\u00eb Kithairon, katolik i Manastirit t\u00eb Agios Nikolaos n\u00eb liqenin Evia (Manastiri Galataki), faza e par\u00eb e piktur\u00ebs s\u00eb katolikes s\u00eb Manastirit t\u00eb Eleousa n\u00eb ishullin e Janin\u00ebs. , si dhe dekorimin e nj\u00eb s\u00ebr\u00eb t\u00eb pan\u00ebnshkruara, t\u00eb cilat mbahen n\u00eb gjendje t\u00eb keqe dhe ndodhen n\u00eb zon\u00ebn e vendlindjes s\u00eb tyre.<br \/>\nMir\u00ebpo, p\u00ebrve\u00e7 piktor\u00ebve t\u00eb njohur, po k\u00ebsaj shkolle i p\u00ebrket edhe nj\u00eb grup tjet\u00ebr koleg\u00ebsh t\u00eb tyre, pasi n\u00eb vepr\u00ebn e tyre jan\u00eb paraqitur shum\u00eb elemente ikonografike dhe stilistike, t\u00eb cilat duket se karakterizojn\u00eb vazhdimisht artin e Shkoll\u00ebs. K\u00ebta piktor\u00eb jan\u00eb artisti anonim i Rassiotissa-s, muralisti i Manastirit t\u00eb Sh\u00ebn Nikanorit dhe piktor\u00ebt e dy fazave t\u00eb dekorimit piktural t\u00eb kish\u00ebs kryesore t\u00eb Manastirit t\u00eb Filantropist\u00ebve, arti i t\u00eb cilit n\u00eb ikonografi dhe n\u00eb m\u00ebnyrat e tij shpreh\u00ebse duket se t\u00eb jet\u00eb i lidhur ngusht\u00eb me vepr\u00ebn e piktorit t\u00eb Manastirit t\u00eb Dilit dhe Katelanos.<br \/>\nShkolla e Greqis\u00eb Veriper\u00ebndimore vazhdon tradit\u00ebn e piktur\u00ebs s\u00eb viteve paleolitike, p\u00ebrdor ikonografin\u00eb me raporte dhe var\u00ebsi t\u00eb dukshme nga ikonografia e Mystrasit, por edhe nga ikonografia e helladis\u00eb veriore dhe ballkanike, por merr edhe ndikime nga piktura per\u00ebndimore. Dallimi me Shkoll\u00ebn Kretane \u00ebsht\u00eb se arti i saj n\u00eb t\u00ebr\u00ebsi \u00ebsht\u00eb m\u00eb kompleks n\u00eb mjetet shpreh\u00ebse dhe m\u00eb i shumansh\u00ebm n\u00eb p\u00ebrb\u00ebrjen ikonografike, duke theksuar elementin dramatik t\u00eb tregimit dhe duke i trajtuar format me nj\u00eb konceptim antiklasik.<br \/>\nTiparet fikse t\u00eb veprave t\u00eb shkoll\u00ebs nga dekorimi origjinal i Manastirit t\u00eb Filantrop\u00ebve e deri te afresket e Shnd\u00ebrrimit t\u00eb Hardhis\u00eb jan\u00eb moria e fytyrave, arkitekturat e dendura dhe malet e nj\u00ebpasnj\u00ebshme me nivelet e cop\u00ebtuara, q\u00eb mbushin hap\u00ebsir\u00ebn e imazhi, nd\u00ebrsa l\u00ebvizja \u00ebsht\u00eb karakteristike, intensiteti, elementi dramatik, si dhe rr\u00ebfimi i plot\u00eb, i detajuar i ngjarjeve me realiz\u00ebm dhe me klim\u00ebn emocionale p\u00ebrkat\u00ebse, n\u00eb t\u00eb cil\u00ebn ato zhvillohen ose krijojn\u00eb. Tendenca e dukshme p\u00ebr realiz\u00ebm n\u00eb p\u00ebrshkrimin e ngjarjeve, si dhe p\u00ebrfaq\u00ebsimi i figurave me drejtp\u00ebrdrejt\u00eb n\u00eb shprehje, duhet t\u00eb lidhet ndoshta me vrullin antiklasik t\u00eb artit bizantin, ve\u00e7an\u00ebrisht i duksh\u00ebm n\u00eb pikturat e gjysm\u00ebs s\u00eb dyt\u00eb t\u00eb shekullit t\u00eb 15-t\u00eb. t\u00eb cilat krijohen kryesisht n\u00eb Greqin\u00eb veriper\u00ebndimore dhe n\u00eb Ballkan.<br \/>\nShum\u00eb shpesh shfaqjet shum\u00ebplan\u00ebshe, me episodet e pasura q\u00eb e trasjn\u00eb dhe unifikojn\u00eb rr\u00ebfimin, ku ato t\u00eb Pasionit z\u00ebn\u00eb vendin kryesor n\u00eb rrethin kristologjik, kan\u00eb p\u00ebrmasa portative imazhi dhe tekstur\u00eb plastike, mir\u00ebsjellje dhe holl\u00ebsi formash. Ndon\u00ebse kompozimet jan\u00eb shum\u00ebplan\u00ebshe dhe t\u00eb turbullta, struktura dhe vendosja e tyre drejtohet nga nj\u00eb sistem i studiuar, nd\u00ebrsa element\u00ebt individual\u00eb u n\u00ebnshtrohen edhe formave t\u00eb renditura gjeometrike, t\u00eb cilat zbutin performanc\u00ebn dhe krijojn\u00eb nj\u00eb ekuilib\u00ebr t\u00eb ekuilibruar.<\/p>\n<p>Bibliografi:<br \/>\nAchimastou-Potamianou M., &#8220;\u00c7\u00ebshtje t\u00eb piktur\u00ebs monumentale t\u00eb shekullit t\u00eb 16-t\u00eb. Lokalja<br \/>\nshkolla kontinentale\u201d, DHAE 16 (1991-1992), Periudha D. N\u00eb kujtim t\u00eb Andr\u00e9 Grabar<br \/>\n(1896-1990), Athin\u00eb 1992, fq 13-32.<br \/>\nAchimastou-Potamianou M., Manastiri i Filantrop\u00ebve dhe faza e par\u00eb e periudh\u00ebs post-bizantine<br \/>\npiktur\u00eb, Athin\u00eb 1995.<br \/>\nLiva-Xanthaki Th., Afresket e Manastirit t\u00eb Diliou, Janin\u00eb 1980.<br \/>\nMonumentet post-bizantine t\u00eb Klimatis\u00eb, Ministria e Kultur\u00ebs dhe Sportit-Eforati i 8-t\u00eb<br \/>\nAntikitetet Bizantine, redaktuar nga V. Papadopoulou, Janin\u00eb 2014.<br \/>\nHatzidakis M., \u201cPiktori Frangos Kontaris (f. 114)\u201d, DHAE 5 (1969), Periudha D. N\u00eb<br \/>\nkujtimi i Dimitrios Evangelidis (1888-1959), Athin\u00eb 1969, fq 299-302.<br \/>\nHatzidakis M., Piktor\u00ebt grek\u00eb pas r\u00ebnies (1450-1830), v\u00ebll. 1, Athin\u00eb 1987.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Shkolla e Greqis\u00eb Veriper\u00ebndimore ose Shkolla Kontinentale Lokale ose Shkolla e Teb\u00ebs, nga vendlindja e tre piktor\u00ebve t\u00eb saj t\u00eb famsh\u00ebm, Frangos Katelanos dhe v\u00ebllez\u00ebrve Frangos dhe Georgios Kontaris, jan\u00eb s\u00eb bashku me Shkoll\u00ebn Kretane dy shkollat \u200b\u200be m\u00ebdha t\u00eb piktur\u00ebs s\u00eb XVI. shekulli. Shkolla krijon kryevepr\u00ebn e saj t\u00eb par\u00eb n\u00eb Manastirin e Filantrop\u00ebve. [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":9857,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","format":"standard","meta":[],"routecategory":[57],"_links":{"self":[{"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/route\/15260"}],"collection":[{"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/route"}],"about":[{"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/types\/route"}],"author":[{"embeddable":true,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/comments?post=15260"}],"version-history":[{"count":5,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/route\/15260\/revisions"}],"predecessor-version":[{"id":15265,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/route\/15260\/revisions\/15265"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/media\/9857"}],"wp:attachment":[{"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/media?parent=15260"}],"wp:term":[{"taxonomy":"routecategory","embeddable":true,"href":"https:\/\/religiousroutes.eu\/sq\/wp-json\/wp\/v2\/routecategory?post=15260"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}